January 2025
The exhibition WROP-Variations is dedicated to the research of graphic designer Demian Conrad (*1974). By alienating the technical and technological processes of offset printing, he reveals imperfections and the unpredictable and transforms accidents into aesthetic elements. The exhibition traces more than ten years of his work, including unpublished series.
Mehr erfahrenThe Kunsthaus Biel takes part at Art Genève 2025, come over and visit us on Stand D6! With Liz Craft and Francis Baudevin
Mehr erfahrenFebruary 2025
2025 30.1.–2.2.2025 @Art Genève LIZ CRAFT + FRANCIS BAUDEVIN 29.1.–16.3.2025 DEMIAN CONRAD 16.2.–20.4.2025 Vernissage 15.2.2025, 17:00 DENIS SAVARY SUSAN HILLER 18.3.–1.6.2025 LOUIS-MICHEL EILSHEMIUS 4.5.–1.6.2025 Vernissage 3.5.2025, 17:00 AESCHLIMANN CORTI-STIPENDIUM 8.6.–31.8.2025 Vernissage 7.6.2025, 17:00 GREGORY J. MARKOPOULOS ALEXANDRA BIRCKEN 21.9.–30.11.2025 Vernissage 20.09, 17:00 JEAN-CHARLES DE QUILLACQ HUDINILSON JR 14.12.2025–25.1.2026 Vernissage 13.12.2025, 17:00 CANTONALE BERNE JURA [...]
Mehr erfahrenChildren from the age of 5 are invited to explore the new exhibitions like the adults and get creative. In French and German. Without reservation, for free.
Mehr erfahrenYou are warmly invitet to the opening of the exhibitions SUSAN HILLER, DENIS SAVARY @KBCB, CÉCILE MONNIER & JANIS POLAR @PHOTOFORUM. 17:15 speeches: Paul Bernard, director Kunsthaus; Amelie Schüle, director Photoforum. Apéro, 19:00 Catering
Mehr erfahrenBorn in the USA, artist Susan Hiller (1940-2019) studied anthropology before moving to London in 1970. There she created a body of work of formal diversity, which she herself described as being at the interface between conceptual art and the paranormal. Over the course of her 50-year career, Hiller explored automatic writing, dreams, postcards, television programmes, magic, extraterrestrial encounters and other folk practices. Her way of working is guided by the search for alternatives to the supposedly objective neutrality demanded by science.
Mehr erfahrenThe video artist, sculptor and scenographer Denis Savary (*1981) has been developing a simultaneously challenging and playful oeuvre full of references of all kinds over the last twenty years. Each of his exhibitions spins its own story, in which the most banal everyday life and the most insignificant detail meet fantastic narratives and grandiose images. The large Salle Poma offers space and opportunity to present existing and newly created sculptures, as well as a new film in a own scenographic arrangement.
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